吸血鬼家族 (Le Vourdalak)

    Genre cinema lends itself to fruitful experimentation and Vourdalak is a prime example, offering ample opportunities for it along with dark, profound chills and a delightful Gothic atmosphere. A father returns from the war to his children (now as a vourdalak), dead yet alive, while simultaneously, an envoy of the King of France arrives at their secluded forest home. Profoundly atmospheric and endlessly unsettling, The Vourdalak is a genuinely unique horror film plunges into the origins of cinema to give birth to something drastically new. Shot in 16mm, with the father-vourdalak as a menacing, foreboding marionette and Ariane Labed embodying an eerily beautiful and enigmatic daughter, the film is as paradoxical as it is magnetic. A debut that reveals the tremendous talent of a filmmaker (with a background in the arts and production design), capable of crafting a world filled with shadows, nuances, and depth using the simplest yet unexpected materials.

    类型电影适合进行富有成效的实验，Vourdalak就是一个很好的例子，为它提供了充足的机会，以及黑暗、深刻的寒意和令人愉快的哥特式氛围。一位父亲从战争中回到他的孩子们身边（现在是一个vourdalak），他们已经死了，但还活着，与此同时，法国国王的一位特使抵达了他们僻静的森林家园。《沃达拉克》是一部真正独特的恐怖电影，充满了浓郁的氛围和无尽的不安，它深入电影的起源，催生了一些全新的东西。这部电影采用16毫米口径拍摄，父亲沃达尔德拉克饰演一个威胁性的、不祥的木偶，阿丽亚娜·拉贝德饰演一个美丽而神秘的女儿，这部电影既矛盾又有吸引力。首次亮相，揭示了一位电影制作人（具有艺术和制作设计背景）的巨大天赋，他能够使用最简单但意想不到的材料创造一个充满阴影、细微差别和深度的世界。